I will confess to a sentimental attachment to mine: it was the standard lens I couldn’t afford when I was an OM film shooter as a student in the late eighties and early nineties. I like this lens for landscape. Focale maximale : 70 mm. It is true . All Olympus Zuiko lenses are very compact and very well made mechanically. I don’t know whether this is a common thing or the result of other factors (the play was already there when I bought the lens). It's one of their late period gems . . It weights only 177 grams (the first version at least) and is absolutely no burden to carry around. You can get one through our affiliate link to  eBay here. f/3.5 The center and midframe look quite OK already although there is some glow, contrast isn’t very high either. The Olympus 100 2,8 is the "little brother" of the faster Olympus 100mm f2, The lens is very sharp and ideal for portraiture, Like most other Olympus lenses industried for the OM camera system, the 100mm 2,8 Zuiko is a great little lens … Its focal length range is equivalent to about 80-300mm in full format (35mm) terms which should be sufficient for most amateur . Here is an aperture series designed to give a sense of what bokeh to expect at typical portrait distances, with a background which is both a bit messy (tree trunks and foliage) yet far away (10m). good to hear cheap manual lenses are getting some love again, although there are not that many left to review (that are not totally bad). We will not underestimate the price of the products and we will not indicate that the item is a gift. missing on this blog are still the FD 2.8/100, 1.8/85 and 2.8/28 although the 85 is probably a bit expensive for what it offers and the 100+28 are not the greatest performers. The lens has positive aperture detents in whole stop intervals, which are nevertheless easy to set at intermediate locations. Both are staggeringly expensive. He enjoys using a mixture of legacy manual lenses, modern manual lenses, and E mount AF lenses. It seems to hold up will to both of them at smaller apertures, which is amazing and surprising. Of course how much of a problem this is depends on taste. I have written an article about that on Ming Thein's site (click) and I won't repeat my findings here in this particular blog entry. The negative . For such a cheap lens, the Olympus M.Zuiko 40-150mm f/4-5.6 R can achieve reasonably sharp images if used correctly. Livret original des objectifs Olympus Zuiko. It became one of my favourite portrait lenses because of the very good performance at typical portrait distances. Lighter and much cheaper as well. I had one of these lenses for a while, and Bastian has reviewed it here. However, since reading this post I’ve resolved [sic] to mount it on both Sony and Fuji X and go out and play. But I think sentiment isn’t getting in the way of saying that even at the slightly inflated prices these go for because of collectors and users who have heard about it, it could make a good choice for someone who wants to experiment with very fast apertures. I never have to adjust cromatic aberrations. In fact the Rokkor gets left behind all the time because of the unfavorable heavy/great ratio. I can’t really fault its optical properties either. | audioreview.com. It is mandatory to procure user consent prior to running these cookies on your website. My value rating is only based on purchasing this lens used. thank you for your review. Olympus 35-70mm f4 S Zuiko Auto-Zoom Manual focus normal zoom lens made for Olympus OM mount SLR cameras by Olympus. The bigger brother of the 3.5/135 Canon shows a very similar performance but is also a bit bigger and heavier. Buy Olympus Om1 Lens and get the best deals at the lowest prices on eBay! Olympus 40-150mm f4-5.6 Zuiko Digital ED Zoom lens for Olympus 4/3 cameras. A touch less sharp and contrasty  in my limited experience. Montréal H1Y 2R9 Payable en personne; pas d'envoi postal et en argent; pas de virement, merci. This can indeed be fun, but for my taste it goes too far – not quite trioplan, but in some circumstances that’s the direction. It is mandatory to procure user consent prior to running these cookies on your website. I think if I was going to choose only one Zuiko 50 it’d be the 2/50 macro. But opting out of some of these cookies may affect your browsing experience. Both of the kit lens compare very well to Olympus OM prime lenses and these are zooms. All Rights Reserved. With 12 elements in 10 groups and a weight of just 9.98 oz. All markings are engraved and filled with paint. The M.Zuiko Digital ED 12-45mm F4 PRO is a high-quality lens capable of fast, accurate focusing when you are shooting moving subjects. I have the later MC version that is part on my ancient OM-3 rig.These days however it spends more time on my OMD-EM1. If you purchase through links on our site, we may earn a commission. In the last decade of film he was a darkroom practitioner and worked with Olympus OM SLRs and various medium format cameras. In general flare resistance is OK for a tele lens of this age. High resolution versions of the samples can be found at http://www.davidbraddonmitchell.com/Varia/Zuiko1250/. A significant alternative, because of the same manufacturer, would be the Oly 135 f2.8. You also have the option to opt-out of these cookies. Todo lo que necesitas saber sobre el Híbrida - Panasonic Lumix DMC-GH5 Negro + objetivo Olympus M.Zuiko ED 24-120mm f/1.8. …, Unbiased and independent advice on what to buy, Olympus Zuiko ED Digital 18-180mm f/3.5-6.3 Review. In fact, two stops down (f/5.6 at wide angle to f/8 at telephoto), it actually preforms quite well, comparing favorably with much more expensive lenses. Providing a 35mm equivalent focal range of 80-300mm and costing around £250 / $300, read our in-depth Olympus M.ZUIKO Digital ED 40-150mm f/4-5.6 review to find out if it makes the grade. Objectifs photo; Enceintes sans fil; Articles. Great Savings & Free Delivery / Collection on many items. Alternately, you can try our affiliate link to German eBay here. Since no one of the team has experience with the Carl Zeiss Jena, and since there are too many different good 135mm lenses to list I did not mention it in the alternative section. We can’t list all 135mm lenses under the alternative section unfortunately but for sure it is a good option as well. Its performance is very much in line with that of the kit lenses for other entry-level d-SLRs that we've looked at. I wonder if I would still keep the Minolta 58/1.2 if I got this one… Newer design, about half the weight, and I tend to love OM Zuikos. I’ve compared it a little bit to the Loxia 50 and the OM 50 1.4, very casually. Scores; Spécifications; Mesures; Testé avec; Olympus ZUIKO DIGITAL ED 90-250mm F2.8 Scores; (From Olympus lens literature) The Olympus Zuiko Digital 25mm ƒ/2.8 is a thin, lightweight single-focus standard pancake-type lens. Came with lens hood! You will have a very hard time believing that such a great lens costs so little. Nikkor non-AI 28/3.5 on old Nikons and Nikkormats, very small and light; balances well on an OM body w/o winder. It’s possible to have a review from the Zuiko 55mm f/1.2? If you are looking for an AF 135 mm portrait lens without any compromises you should consider this one. f2.0/35mm, f1.8/50mm, f1.4/50mm, f3.5/50mm Macro. It is usually sold as part of camera "kits" but it's also available separately for as little as ~200€/US$. But these are all small things, and if you have a taste for classic Canon glass it can be got on eBay via our affiliate link here. And the image itself has a lot of SA and LoCA but is usably sharp over a tolerable area (at least on my copy) and the LoCA can be cleaned up, and the SA is part of the look. Dans de très bonnes conditions. Could be a good choice. Only one the front does not turn. Back Market trabaja con reacondicionadores profesionales que se encargan de revisar que cada producto está en perfectas condiciones y funcionando al 100% del taller en el que se revisa y repara. f/8 The center and midframe are excellent now, the corners improved a lot and are now very good. Skip to main content. This review is of one of the better contenders: The OM Zuiko 50mm f1.2. For all the attractions of the 1.2 in the end it’s great if you want f1.2 but there’s no reason to choose it if you don’t. Click on the tabs above the image to view the bokeh at different apertures. But it has its attractions, and can be had via our affiliate link on eBay here. There is almost no vignetting and no rectilinear distortion on architectural subjects even to the edges of the frame when wide open! something to keep in mind if your eyesight is less than perfect. I like the bokeh in these kind of scenarios more than the bokeh of the Canon 3.5/135 which has lower contrast but less SA. The size and weight also rule out Mitakon for general use. I like it a little bit better than the Pentax M 135mm/3.5, though the Pentax is very compact and has a pretty decent built in hood. and independent advice on what to buy. thank youf r the detailed comparisons and discussion. Flocking with no baffle is better than none. Apart from being compatible for shooting top-quality films with extremely fast focus capability, it is packed in a compact body featuring a metal-like finish and interchangeable decorative rings to perfectly fit your camera. This category only includes cookies that ensures basic functionalities and security features of the website. The Olympus M.ZUIKO Digital ED 40-150mm f/4-5.6 is a compact and lightweight telephoto zoom lens for the Micro Four Thirds compact system camera range. " N.MintOLYMPUS OM-SYSTEM AUTO-ZOOM S ZUIKO35-70mm f4 MF ZOOM Lens from Japan 185651017679 And the bonus surprise yesterday was that I reached for it in my bag and thought I had brought the wrong lens until I double checked. It has a reputation for being usably sharp in the middle wide open, and sharpening up to decent overall performance stopped down. Finally, uncorrected vignetting or shading ranges from a moderate 0.3-0.4 EV at both side angle and tele focal lengths to less than 0.2 EV in the middle of the zoom range. Olympus OM Zuiko 300mm f4.5 35mm Primes user reviews : 2.7 out of 5 - 7 reviews - photographyreview.com Olympus M. Zuiko Zoom Camera Lenses 40-150mm Focal, Olympus M. Zuiko 14-150mm Camera Lenses, Olympus M. Zuiko 14-150mm Focal Camera Lenses, A wonderful lens, produces great sharp images. Its superior optics, fast maximum aperture throughout the zoom range and fully weather-sealed, all-metal construction make it suitable for the . He switched to Canon DSLRs when digital imaging improved, and made a move to Sony bodies as soon as the A7 series was born. 3 article(s) disponible(s), 469 €-499 € . OBJECTIF OLYMPUS OM- SYSTEM ZUIKO MC Auto-T 1:4 f:200mm - $39.49. Personally I have the Cosina 55/1.2 (supposedly they used the same optical formula for its Nokton) which I had converted to PK mount and, because I am in love with it’s bokeh and especially it’s treatment of specular highlights, have kept it through my Nikon (unusable of course) and now Sony phases. OBJECTIF OLYMPUS ZUIKO 50 mm 1,8 Prime pour reflex Olympus OM avec casquettes - EUR 55,60. Wide open, the 14-45 does quite well in the center of the frame, but gets soft on the edges, particularly toward the middle of its focal length range, at 25-35mm actual focal length. Necessary cookies are absolutely essential for the website to function properly. Slightly creamier bokeh, expensive, not sharper, heavier. This website uses cookies to improve your experience. Even f5.6 can produce excellent results across most of the field. In 1948, Olympus marketed the first 35mm camera in Japan, the Olympus 35 I. You mention in the conclusions that there are more interesting alternatives for landscape. This website uses cookies to improve your experience. It''s a great vacation lens, great for shooting interiors, and a great lens to experiment with. VOIR LE COMPARATIF AJOUTER The Olympus E. Zuiko 135mm f/3.5 which is reviewed here, and the Olympus Zuiko 135mm f/3.5. The Olympus E. Zuiko 135mm f/3.5 clearly was not optimized for infinity sharpness. Read on! The lens handles beautifully as of course do many classic lenses of the era. The close focus performance is remarkably good for an f1.2 lens. It’s not cheap, and unless I was happy using it at f1.2 or f2 I wouldn’t want it. I am looking foward which lens you are testing next…. Of course there are better lenses for stopped down use: the Loxia 2/50 springs to mind as one of the best, though many much cheaper classics do very well. Mitakon has smoother and more predictable bokeh. Click & Collect (£29.99/Lens) Cosina 19-35mm f3.5-4.5 MC Wide Angle Zoom Lens.Olympus OM Mount. This browser is now out of date. The focusing lens is moved using a metallic shaft and feed screw rather than a gear, which is usually the cause of focusing noise. LaCA correction is one of the weak spots of this lens, as is usually the case with vintage tele lenses without fancy ED glass. If you like great manual lenses this is the best money can buy for E mount. Ils sont NEUFS: encore dans leur emballage d'origine! Our staff members must strive for honesty and accuracy in everything they do. Select the relevant offer below to find out more and submit your claim. Capuchons (bouchons) d'objectif d'origine Olympus. Wide open moderate LoCAs are visible, stopping down to f/5.6 helps a lot. Plastic body available in black. I oscillate between these views. The optical design is going on 20 years old but this lens still holds its own with more modern 28mm lenses. Turn your existing lens into an attractive macro lens. That’s what I ended up upgrading to, mostly for its near-APO qualities. There are only two versions of this lens. Zuiko Digital 14-45 mm F3.5-5.6 Instructions (English, Français, Español, Deutsch, Japanese, Korean, Chinese) (2.2 MB) Download the 14-45mm F3.5-5.6 Firmware Updates Contact Olympus Support Hope the readies for digital body come your way. Af ultra rapide et silencieux. Très bon état visuel. Contrasty, very compact, takes 49mm filters. The aperture ring sits in front of the lens and has developed a little bit of play. My CV 65/2 of course has a great f2, and the Rokkor 58 has a great (but different) f2, but both of those lenses are heavy enough that I might hesitate to carry them in some situations. Leica APO Telyt-M 3.4/135 (Note: We think that the increased softness seen in the upper right corner of the frame on the blur plots may have been caused by a slightly cockeyed chip in the E-500 body we used to do the tests with: The 40-150mm lens we tested on the same body showed very similar behavior, despite being an entirely different lens.) You say its best at portrait distance, but is it better than the Canon? ($2000-3000) In the field I did not encounter many situation where the LoCA became a problem though. The Olympus is optically a bit better though. The Olympus M.ZUIKO Digital 17mm f/2.8 is a moderate wide-angle "pancake" lens for the Micro Four Thirds system. Apart from being compatible for shooting top-quality films with extremely fast focus capability, it is packed in a compact body featuring a metal-like finish and interchangeable decorative rings to perfectly fit your camera. Thank you very much for this review David, I have had a great copy of this lens for a while but have been thinking about moving it on for no reason other than I just don’t shoot it much and was looking at your review of the CV40/1.2…. So it makes sense not to spend vast sums for a Leica Noctilux. Very good center and edge sharpness. f/11 The whole image is visibly softer due to diffraction. Thanks, Nicholas. The combination of closer distances with specular highlights, though, can produce a pointillistic effect which you will either love and think to be impressionistic, or else hate. Though the test results show sufficient sharpness, I find the images slightly, and for my idea: too, fuzzy. I haven’t yet directly compared it to the MD 58 1.2, which is the direct competitor I think. Really appreciate it and makes be pay attention to the philipreeve site. Bit too much edge distortion for people shot if they are placed at the extreme edges. There is no movement of the focusing ring in AF mode and it has a very light touch when used manually – although the word ‘manual’ is a bit misleading because in fact the focus ring generates electronic signals that are relayed to the drive motor. * Excellent sharpness and contrast* No noticeable distortion* Very light weight and compact. Spanning a versatile zoom range from wide-angle to portrait-length, the silver M.Zuiko Digital 14-42mm f/3.5-5.6 II R from Olympus is a 28-84mm equivalent lens for Micro Four Thirds mirrorless cameras. Good sharpness, small size, non-rotating front for shade, metal mount. great review, stunning images. It is ideal for situations where extra width of view is required because it isn't possible to get further away from the subject. This also makes it a great option if you are using a smaller cropped sensor camera. Olympus released a lens with the longest zoom range for Micro Four Thirds earlier this year, the M.Zuiko 12-200mm F3.5-6.3. Sharpness at portrait distance and near MFD, Corner sharpness near infinity at wider apertures. As far as I know they are optically the same, the main difference can be found in the better coating of the latter one. 3. OLYMPUS OM-D E-M1 Mark III Black Camera Body. Thank you. Ajouter un avis. We'll assume you're ok with this, but you can opt-out if you wish. The below average LaCA correction and the average corner sharpness near infinity spoil the game a bit when used for landscape photography. I use it with a Canon 6D and Magic Lantern in mode trap focus, very useful to shoot. It''s multi-coated and quite sharp. À VENDRE! Pages About Us Items for Sale View Feedback Visit our eBay 394303237672 The lens came as a kit with the Olympus 330, together with the 40-150mm/f3.5-4.5 zoom. Jupiter-11 4/135 But arguably it’s not the best all around type of lens to have; it’ll be bigger and heavier than a more modest speed fifty, and likely not as good stopped down. I really like the bokeh alot. For me it was "free", since it came with my E-1. Overall the Olympus zoom is a definite edge over the other recent non-IS superzooms as seen in WDC group tests and this explains why it has been scored a shade higher. the 4/17 never got a full review (not really recomendable lens tho) and the 80-200 deserves a full review too i think. ($370 new) I heard it has pretty bad performance, but it’s under $400 so it seems like a good deal. Key Features. For a vintage tele lens the Olympus E. Zuiko 135mm f/3.5 is a decent performer, especially at closer distances. Sony GM 1.8/135 The Leica is very expensive, used prices start at 20x the price of the Olympus 3.5/135. If all your reviews are like this.. ?A-OK. Pentax-M 3.5/135 Test results; Best of; Tech Articles; Qui sommes nous ? In disadvantage you wrote twice “LoCA correction” May be, it is double bad? While a non-planar subject shows the effects of spherical aberration in the form of a ‘glow’ of halation at wide aperture more clearly than the bank note images, there is relatively little colour to that glow, certainly compared to my expectations. Of course few people will buy this as their only 50mm lens – it will usually be dedicated to wide aperture work – but it’s good to know that it can serve both purposes. I think if I got this lens it might be to replace the 50/2 macro. In summary, the positive points of the Olympus Zuiko 18-180mm f/3.5-6.3 lens are: Good focal range (although not as wide on a 2x crop) Compact size and weight. i kept the Rokkor 58/1.2 and the small and great Zuiko 50/1.4 late MC version. Thanks very much for your thorough write-up and evaluation. (except it is worse for flare. 9 offers from $549.00. Whether you agree is another matter! Little vigneting, little distortion. Appareil photo argentique Olympus OM40 Program 35-70mm f4 S Zuiko Auto-Zoom Noir Reconditionné. 72. I apreciate it very much, that you continue testing low budget lenses. OM1 . One reason to own this lens if you like to shoot at f2 is that while slower legacy lenses are often better stopped down, this Zuiko seems overall better in both bokeh and resolution than its slower brothers (at least the ones I’ve used) when shot at f2. The focussing ring is large and smooth, and the OM rubber ring is in my opinion  one of the nicest both to locate and turn of all the classic designs. Can be purchased for less and I have gotten excellent results in the past. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. However, the shade on this sample is somewhat wobbly. Exit all other software applications. Stopped down to f8 the corners improve slightly. Not as sharp as the 50mm f/1.8Can see some vignetting under very strong light. Next f2.8 brings further improvements to the centre and midfield, and we are starting to see a little detail in the corners. not exactly a fault but its less easy to focus with focus screen 1 than a standard lens. The earlier one is the 55mm G-Zuiko f1.2 from around 1974; this lens was pretty good, but was both a little less sharp and contrasty, and had busier bokeh, than the later 50mm. I doubt that they make any sense for use on a Sony camera. Contrast is still a bit dampend though. But that’s true of many lenses, whereas what surprises here is that the lens really can be used for that application with good results. Yes the bokeh can be awful, but it can be great: it depends on exact distances/structures. Does it live up to this reputation? Slow f-stop on the 45mm end (what do you expect from a kit lens). Zuiko AUTO-Zoom 50-250mm f/5.0 MACRO Purely based on specification, this lense is seemed like an update for the Zuiko AUTO zoom 85-250mm f/5.0. roadbikereview.com | You have your capable Minolta for 1.2. Its 3.2x zoom covers a broad range, with close-ups coming out crisp and clear as near as 15 inches/38cm. Veiling flare in particular can be extreme with the sun just out of the image. Near MFD the Olympus has very nice and smooth bokeh. The earlier OM fast wide. Type de package : Non concerné. With a bright light source in the frame one can observe a purple ghost and some contrast loss.The ghost gets smaller when stopping down but becomes more saturated as well. Stylishly designed at an affordable price, this high-power prime lens is ideal for capturing people in portrait shots with nice background blur and vivid contrast, thanks to its fast aperture. objectif argentique OLYMPUS OM SYSTEM G ZUIKO AUTO-W 1:3.5 f 21 mm old lens Unsold See similar items $180.67 0 Bids , $44.47 Shipping , eBay Money Back Guarantee Seller: malsar ️ (1,379) 94.9% , Location: Barberey St Sulpice, FR , Ships to: WORLDWIDE, Item: 393950973520 While I would hate it if every lens I had did this, the effect in the following image is something that I don’t mind occasionally. This is a 'go anywhere' lens that I often use as a standard lens. What's a bit different about the 14-45 is that it actually does quite a bit better at both the wide angle and telephoto ends of its range than it does in the middle. Free P&P. With equivalent coverage of 80-300mm, the Olympus 40-150mm f/2.8 PRO is ideal for portraiture and street photography, along with nearby sports and wildlife. Voigtländer 40mm f1.2 Nokton Aspherical: Review, The best lenses below $499 for the Sony a7 series v1.1 - phillipreeve.net, Sony FE lenses: A comprehensive and independent guide, Guide to Macro Lenses for the Sony a7 series, Beginner’s Guide to Manual Lenses on the Sony a7, Guide to Adapters for Manual Lenses on the Sony a7 series, The Guide to Canon FD lenses on the Sony a7 series, The rated List of Minolta MD/MC Lenses on the Sony a7, How to: Correcting Color Cast in Lightroom, Review: Techart LM-EA9 Leica-M to Sony-E Autofocus Adapter, Voigtlander 35mm 2.0 E Apo-Lanthar Review. A new multi-coating minimizes ghosting and flaring that can occur while the sturdy metal lens mount ensures rugged durability. Imaging Resource © 1998 - 2022. B&H Photo for $218.00. En utilisant Rakuten, vous acceptez l'utilisation des cookies permettant de vous proposer des contenus personnalisés et de réaliser des statistiques. In very few cases I discovered a large sort of internal reflection of the lens which ruined the shot like in the example below. Vignetting makes the lens for me in fact only usable from f-stop 8 (given the smaller chip size, and the more square four-thirds standard, I think vignetting should not be a problem at all with these lenses). Your email address will not be published. Canon nFD 3.5/135 Contrast is quite high but because spherical aberrations are undercorrected bokeh looks very pleasing. I used to have the nFD 135 2.8 and the lens reviewed here seems to offer quite a bit more than that! Up to £175 (200 €) on M.Zuiko lenses. Mine came with caps, hood, and case for $56 delivered from ebay. The flocking material and the design of the baffle will matter. Buy one on eBay using our affiliate link here. The corners are still a bit soft with lowered contrast. Optically, it has a 7 elements arranged in 7 groups . Olympus M.Zuiko Digital ED 12-40mm f/2.8 PRO. Nice, isn’t it? Taille du capteur : Non concerné. It is heavier though, but I would still not call it a heavy lens. Write your own user review for this lens. This website uses cookies to improve your experience while you navigate through the website. These cookies will be stored in your browser only with your consent. Purchased a qualifying product during a promotional period and looking to redeem your reward? Hello. A typical price for a used one is around $100 -$135 in Excellent + condition. I wasn’t expecting such a high amount of LoCA since the lens is rather slow. It is an excellent lens even wide open. Marque. http://www.davidbraddonmitchell.com/Varia/Zuiko1250/. A very enjoyable lens! I wish it stopped down to f22, but I really can''t complain when looking at any photo it has ever taken. It was a viewfinder camera using a 24×32mm frame size fitted with a fixed (non-interchangeable) 'Zuiko Coated' 40mm f /3.5 lens; that same lens was also used on the subsequent 35 III (released in 1949 and changed the frame size to the standard 24×36mm), IV (IV in 1949, IVa in 1953, and IVb in 1954), and V (Va and Vb . Here are some crops at an angle to the plane of focus to give a sense of longitudinal CA at closer distances. Also like many inexpensive zooms, the 14-45 settles down quite nicely when you stop it down one or two f-stops. Weight causing stress on the camera mount is also not an issue. Très très bon objectif, un piqué d'enfer et une très bonne stab avec le G9. I love the closing sample image of the pink Hydrangea. At f4 the centre and midfield performance is very good, and the corners OK. f5.6 brings excellent peak performance in the centre, and very good and good results in the mid and corners. Founded in 2004, Trusted Reviews exists to give our readers thorough, unbiased Handling on the my Sony A7II and A7rIII is great, the lens balances very well on these bodies. Small differences in the position of the sun can make a big difference in how much flare there is. (From Olympus lens literature) Standard with the EVOLT, the Zuiko Digital 14-45mm f/3.5-5.6 lens (equivalent to 28mm-90mm in 35mm photography) delivers superb image quality from edge-to-edge. Trusted Reviews is supported by its audience. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Many new lenses may need to be returned, but many others are returned because of misinterpreting tests. Text is available under the Creative Commons Attribution-ShareAlike . Olympus 12-100mm f/4 IS PRO ($1,299): The M.Zuiko Digital ED 12-100mm f/4 IS PRO is the only professional high magnification zoom to cover a 35mm equivalent 24-200mm focal range all on its own. Retour sous 14 jours | Point retrait gratuit - Paris 12 | Paiement 100 % Sécurisé | Livraison en 24 à 72h Matching our own experience when shooting with it, geometric distortion is quite high at wide angle, at nearly 1% barrel distortion, decreasing to almost zero at telephoto. The second best value in the Zuiko line, after the 50mm f1.8. Many Olympus Visionaries and other professionals consider the M.Zuiko ED 12-40mm f2.8 PRO (24 - 80mm 35mm equivalent) an indispensable piece of equipment. Objectifs pour hybrides; Objectifs à monture Micro quatre tiers; Objectifs à monture Micro quatre tiers. It has a very smooth helicoid, and is surprisingly compact for so fast a lens. Technical testing revealed some chromatic aberration at both extreme ends of the zoom range, but in neither case was this apparent in everyday pictures. 30 odd cameras over as many years but the Olympus system is perfect for me. The focus stack is also very creative and lovely. An in-camera Multiple Exposure shot with the @getolympus Olympus OM-D E-M1X and the M.Zuiko 75mm F/1.8 lens. Objectif Olympus (Panasonic) pancake 15 mm 1/8.0. The 28mm f:2.8 exemplifies this. , Well written review and some very pretty photos : ). Models. Its better in almost every regard but also much more expensive and heavier. Metal body available in black. The effect of the super sharp in focus component against well controlled bokeh is arguably as good or better as you’ll get with the less sharp f1.2 image against a less well controlled bokeh on a classic lens. The midframe is good enough at f/3.5 but seems to suffer from a slight midzone dip and looks slightly worse than the corner. Regards and thanks in advance! This is the distance this lens was optimized for. Let’s start with some 100% crops near infinity: Wide open near infinity there is a lot of halation even at the centre (though this is slightly less bad at closer distance, strangely). Besides that the Olympus E. Zuiko 135mm f/3.5 is a pleasure to use, which for me is one of the main reasons to use manual lenses. Maybe a better choice for portraits with its longer focal length and slightly smoother bokeh. It has a total of 12 elements, including 1 ultra-high-refractive and 2 aspherical, and a multi-coating to reduce flare and ghosting. This category only includes cookies that ensures basic functionalities and security features of the website. a bit slow; vignetting; distortion; image quality, Distortion at the wide end, slow at the long end, comes with camera. Quite a bit more expensive, heavier, but very sharp and also faster with good bokeh. Objectif Olympus Zuiko Digital 35 mm f1/3.5 Macro pas cher : retrouvez tous les produits disponibles à l'achat sur notre site. Cet objectif dispose également de MSC (Compatible en vidéo et photo) pour une mise au point plus rapide, silencieuse et très précise. What would be your choice for a light 135? When I pulled it out it was so lightweight I thought it must have been some other lens, not possibly a f1.2 lens. ($800 new) The Canon is a bit larger and heavier with a little less nice build quality. This is a really nice lens. The price is quite similar but the Olympus offers the better performance in most regards. Thank you Not all flocked adapters have the same effectiveness. noir, n° de série 1053358, avec objectif Olympus Zuiko Auto-S f/1.8 50mm, boîtier, VG, obturateur fonctionnant en mode mécanique 1/60ème, lentille, F, champignon interne, ainsi qu'un objectif Olympus E.Zuiko Auto-T f/3.5 135mm, boîtier, VG, éléments, F, champignon interne, complet avec quelques autres accessoires (un lot) Still you have consider use cases. Also in street and social situations I feel awkward with a big honking lens on the camera — this Olympus does not scream “Big Serious Lens” in quite the same way. Required fields are marked *. All Olympus Zuiko lenses are very compact and very well made mechanically. The LoCA is not better on the other hand, and I’m not convinced the Mitakon is better at closer than a meter. This is the best kit lens on the market. GUIDE TO THE BEST PORTRAIT LENSES – SONY A7 SERIES, BEST BUDGET LENSES UNDER $499 FOR SONY A7/A7II/A7III, A beginners guide to landscape astro photography, Sony FE lenses: A comprehensive and independent guide, Guide to Macro Lenses for the Sony a7 series, Beginner’s Guide to Manual Lenses on the Sony a7, Guide to Adapters for Manual Lenses on the Sony a7 series, The Guide to Canon FD lenses on the Sony a7 series, The rated List of Minolta MD/MC Lenses on the Sony a7, How to: Correcting Color Cast in Lightroom, Review: Techart LM-EA9 Leica-M to Sony-E Autofocus Adapter, Voigtlander 35mm 2.0 E Apo-Lanthar Review. Personally I like the rendering of modern Voigtländer lenses with 12 aperture the best, since this is a subjective topic you might want to check out this article. Caractéristiques principales Olympus M.zuiko Ed 40-150mm F4.0-5.6 R Milc Objectif Téléobjectif Zoom Noir - Lentilles Et Filtres D'appareil Photo (milc, 13/10, Objectif Téléobjectif Zoom, 0,9 M, Micro Four Thirds, 4-5,6): Cliquez-ici pour vous assurer de la compatibilité de ce produit avec votre modèle; Produits compatibles: Olympus . A little more weight, a little more money, and superior performance. Created with Sketch. *Affiliate links (If you purchase the lens through one of these affiliate-links we get a small compensation with no additional cost to you.). The focus ring travels +/- 120 degrees from 1.5 meter to 3 meters and another 90  degrees from 3 meters to infinity. I think I can but I will compare more. Your review is awesome. J'en ai 4 que je vends 10$ chacun. The interesting thing about this lens is that it’s a very late lens in the manual focus world and so incorporates some of the improvements that characterize the very last batch of lens designs before AF became mainstream, Dude. Still I love this lens for travel work. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. I have used neither – though Amin Sabet on his site talkemount published tests showing the later version to be similar in overall quality to the Mitakon when used on the Sony sensor. It was the most popular wideangle in the Zuiko line until the f2.8 version replaced it, so it is very available at a giveaway price on the used market. I mainly shoot landscapes and the milkyway and I like to travel through wild landscapes around Europe. This gives a slightly odd feel and generates a significant amount of sound. I used the 1.2 this morning in softer light and it seems much better. Other Web Sites in the ConsumerReview Network: mtbr.com | Disponibilité: . Even with an adapter the whole package is not so bulky or heavy as to prevent carrying it around all day. By clicking the [Download Now] button, you acknowledge that you have read and agree to the OM Digital Solutions Software License . Piece of plastic crap. photographyreview.com you will not be disappointed. Leica 4/135 Tele-Elmar The EXIF shows it as taken at f1.2, but is in fact a stack of two images: most of the image is from a frame at f1.2, but just the anthers of the Hellebore flower are from a frame taken at f2.8 at the same time. Peut ajouter à la valeur de revente de votre appareil photo s'il est vendu complet avec les instructions. Double-click the installer to begin installation. 5) the 7artisans 50mm f/1.1 for Leica M mount. Download the OM Workspace installer to your computer. * Olympus 40-150mm f4-5.6 Zuiko Digital ED (12 elements, 9 groups, including 1 ED element) * Minimum focusing distance: 0.9m * Aperture blades: 7 * Smallest aperture: f22 * Size: 77 x 67mm * Weight: 190g Minor internal dust . The Canon is a bit better optically with better off center sharpness near infinity, beter CA correction and generally smoother bokeh. My only complaint is that I wish it was faster than 2.8! Lancement - février 2005. It’s also not as sharp, contrasty, or flare resistant as the later lens. Appareils photos Olympus Hybride Olympus PEN E-PM1 - Gris + Objectif Olympus M.Zuiko Digital 14-42 mm f/3.5-5.6 II R - produit reconditionné Jusqu'à -70% moins cher que le neuf ! Being a Four Thirds lens the equivalent focal length for a full-frame camera is double that marked on the lens, putting the 18-180mm on a par with a 36-360mm in terms of angle-of-view. The perfect wide angle for the way I see the world. The following two tabs change content below. I haven’t tested for focus shift, but I bet there is some which is why on mirrorless it does so well at f2 whereas it’s reputation on SLRs was not so hot at this aperture. Seems very well made for a kit lens. Better corrected for LaCA, higher contrast and better build quality. We also use third-party cookies that help us analyze and understand how you use this website. At closer distance central resolution is usable; at infinity it is a bit of a special effect. It gets used from time to time on my Sonys by way of a PK-FE convertor and is quite a sharp lens once stopped down to f2. We'll assume you're ok with this, but you can opt-out if you wish. The midframe improves significantly from stopping down to f/5.6. What a really good review—friendly, thoughful, thorough. This fast autofocus performance is thanks to the adoption of a compact and lightweight focusing lens design. While the f3.5 is a bit slow for the OM-3 when handholding. Even when combined with the demanding 42mp sensor of the Sony A7RIII the lens delivers. The most serious omission is image stabilisation. Olympus M.Zuiko 12-200mm F3.5-6.3 at KL Bird Park. Objectif Olympus 40-150mm f3.5-4.5 Zuiko Digital pas cher : retrouvez tous les produits disponibles à l'achat sur notre site. The @getolympus Olympus OM-D series cameras (and Pen F and E-PL9) have a multiple exposure feature that allows you to shoot your first frame and then the camera shows a low opacity . ($1000 new) The G-Zuiko AUTO-W 28mm f/3.5 was among one of the original batch ZUIKO lenses introduced along with the Olympus OM-1/M1 camera. Olympus M.Zuiko Digital ED 14-150mm f/4-5.6 Handling and features. Nice bokeh too. Although a bit less sharp I think the contrast and bokeh of the Olympus 3.5/135 make it a better option for portraits. The fast F1.8 aperture lets you achieve a shallow depth of field for your stills and movies. Created with Sketch. Its rearward zoom ring is perhaps a shade too far back but the grip is good and the rotation is smooth. It’s more of an occasional use specialty lens. The weather-sealed M.Zuiko Digital ED 300mm F4 IS Pro is the latest in the company's range of high-end 'Pro' lenses for the Micro Four Thirds system and the fifth such lens to date. Olympus Zuiko MC 135mm f/2.8 and it doesn’t do macro! I’m really liking this lens! Unbeatable even at a much higher price level. For $40 or under the Olympus 50mm f/3.5 macro is a great lens. I heard good things about that one too. The Olympus OM 35 2.8 is remarkably small and compact for a wide-angle lens. The lens features a built-in sun shade which is something I usually like a lot. Offering a range of angular field of view equivalent to that of a 28-90mm lens on a 35mm camera, this is a good general-purpose lens to use with the camera, and the one that most users will probably keep on the camera most of the time. The Canon is a bit sharper at every distance (I did not compare them directly though). When the sun is almost completely out, you occasionally get a rainbow artefact, but still with good contrast. For a lens offering a zoom range over 10x, this optic is incredibly compact and lightweight, weighing only 260g. In the next image I tried to achieve both wide open bokeh with a bit more detail at the point of focus. Thanks to the 8 aperture blades one can get quite decent sunstars from f/11. (Interestingly, the distortion always stays slightly to the barrel side of the graph, never crossing over to pincushion distortion.) LIVRAISON GRATUITE AVEC SUIVI SUR TOUTES LES COMMANDES - Plus de 40 000 appareils photo argentiques vendus dans le monde . Compared to the Rokkor it is tiny and light. The lens has an overall length of 23.5mm . À propos de nous : Olympus made two f1.2 standard lenses for the OM system. I love all the sample pics. There is a bit less SA compared to closer distances but there is only minor outlining (green bokeh fringing) and bokeh therefore is plenty smooth. This high-performance zoom was made for you. It is also better corrected for LoCA. Bokeh is where I will start the discussion of image quality, because that’s probably why  anyone buys this lens. Had the 50/1.2 from Oly, but resold it as for DOF and portrait, the Minolta is better and for allround use, the 1.4 is better. It’s definitely an unusual lens, but worth checking out if you ever come across one. The 2/135 is is a very good but also very big and heavy lens, therefore I decided to leave it out the alternatives section. If a Loxia type lens is ever produced with these specifications it will perform much better, and the ZA 1.4/50 performs much better, but this is a classic era f1.2, and the flare issues can often be worked around. ($900 new) And then to add: I have the 50mm f/1.2 Zuiko and am about to do a shoot with it. I think this lens at 1.2 might be better than the Rokkor, which is very soft and also prone to krazy krazy bokeh wide open. Makes sense:  an f1.2 lens is usually for portraits. I know people who adore this lens; but they are adoring it’s crazy bokeh. A tiny, sharp and versatile lens. Incredibly small and light, beautifully sharp and contrasty with minimal distortion for this focal length. Jon Tarrant contributed camera lens reviews to Trusted Reviews between 2008 and 2014. Notre société; Nos labels; Nos partenaires; Nous contacter; Olympus ZUIKO DIGITAL ED 90-250mm F2.8. . The later lens, of which this is a review, was a complete redesign. I really got it for f2. No mention of the Nikon q 135 3.5. Just recently I acquired the Hexanon 135/3,2 and my quest for a manual 135mm lens mostly ended as it is mechanically as sound as the Mino and Oly, feels as good in use, and has as good an MFD as the CZJ. The broad rubberized focus ring feels very nice and has a very nice resistance to my linking. Required fields are marked *. Decent lens, which gives very warm colors, and is decent at f/8 +. A faster lens is better. It is no problem with the OMD,s in camera stabilization. If you are prepared to put up with some cosmetic issues you can get if for hundreds of dollars less than mint copies, or worst of all, LNIB copies. This allows one to get the overall bokeh of the f1.2 image, with a little more resolution and DOF at a precise point. Comment * document.getElementById("comment").setAttribute( "id", "ac93cbaf9390bc50fe5ba0d0cf85ffaf" );document.getElementById("cfaef1a8bc").setAttribute( "id", "comment" ); David Braddon-Mitchell is a keen landscape and environmental portrait photographer. That said, the fact that the focusing ring remains undisturbed in AF mode is a real bonus as it allows a firmer grip to be taken than would otherwise be possible. You can probably find another used one cheaper than a repair bill, but if the price ever zooms or they get hard to find, use Camtech at www.zuiko.com. As you stop down further, things stay more or less the same until you get toward f/11 at wide angle or f/16 at telephoto, at which point diffraction limiting begins to have an effect. The sharpness is slightly asymmetrical on the f1.2 crop just because I couldn’t align the camera accurately enough without a laser alignment tool: every realignment produced a different asymmetry. The Olympus Zuiko Digital 14-45mm F3.5-5.6 is a standard zoom lens which is equivalent to 28-90mm which mounted on a Four Thirds body. Here is an aperture series at minimum focus distance showing central sharpness. Thanks! (From Olympus lens literature) Standard with the EVOLT, the Zuiko Digital 14-45mm f/3.5-5.6 lens (equivalent to 28mm-90mm in 35mm photography) delivers superb image quality . We also expect our journalists to follow clear ethical standards in their work. The midzone dip seems to be a hindrance in that regard. If you really need the speed this could be a nice alternative. Now the crops, from f1.2 (top) to f5.6 (bottom), This is pretty remarkable performance for a lens of these specifications and age. In case f/3.5 is too slow for you, this one should be considered. Important to note is that the in-camera shading compensation offered by the E-500 and E-1 bodies can almost completely eliminate the shading or vignetting seen in the above tests. The lens is capable for taking great portrait photos, however when your focus is on landscape photography there are some smarter options. Its performance at closer distances makes it a winner for the kind of images that we mostly want a fast lens for, and stopped down it is perfectly capable of performing the job of an all round landscape or architecture lens. For safer, more reliable browsing it is recommended that you upgrade your browser to one of these browsers: Firefox / Safari / Opera / Chrome / Internet Explorer 8+. On the other hand it’s at least four times the price, and is bigger and heavier, and you might like the look of a classic lens. At longer distances bokeh isn’t that smooth anymore. In fact, the Olympus OM 35 2.8 is a great travel companion and backup wide angle lens. Comment * document.getElementById("comment").setAttribute( "id", "a494f833279d4a4388618951fc6814a9" );document.getElementById("cfaef1a8bc").setAttribute( "id", "comment" ); My name is Juriaan, I am a passionate photographer from the Netherlands. The optical design uses three aspherical elements to correct for distortion and spherical aberration, in order to achieve notable sharpness and clarity, and these elements help to retain a . I have this lens and I love it! Appareil photo argentique. But opting out of some of these cookies may affect your browsing experience. Fork out the money, and buy a real lens. En utilisant Rakuten, vous acceptez l'utilisation des cookies permettant de vous proposer des contenus personnalisés et de réaliser des statistiques. OLYMPUS M.Zuiko Digital ED 12-40mm F2.8 Pro Lens, for Micro Four Thirds Cameras Olympus M.Zuiko Digital ED 12-100mm F4.0 Pro Lens, for Micro Four Thirds Cameras Panasonic LUMIX Professional 8-18mm Camera Lens, G LEICA DG VARIO-ELMARIT, F2.8-4.0 ASPH, Mirrorless Micro Four Thirds, H-E08018 (Black) 4) the SLR Magic Hyperprime 50mm T0.95 Noktor. The Batis is, like the other modern options, a better performer in almost every regard and offers AF. Vignetting also decreases as the aperture is reduced, remaining below 0.2 EV at f/8 and higher for all but the longest focal lengths. This is a surprisingly good lens. Macchine fotografiche Panasonic Ibrida - Panasonic Lumix DMC-GH5 Nero + obiettivo Olympus M.Zuiko ED 24-120mm f/1.8 Ricondizionato Fino al 70% di sconto rispetto al nuovo! At longer distances bokeh can be a bit harsh though depending on the background. Thanks. It packs the performance of two professional lenses into one, and keeps the overall design compact and . Original A7 bodies can be had fairly cheaply.. Took some work, and it’s not a small thing. Green bokeh fringing becomes very visible especially at the edges of the frame, in some situations this can be quite distracting. Thanks for the review. Best All-in-one Lens for Olympus E-M5 Mark III. Sharpness is the center is great at every aperture. In your hands, guys, every lens is amazing… I mean the results, the images. f 1.2 is worse in every respect than I thought, and I think worse than the Rokkor even, but f2 is quite a big improvement, and I suspect better than the Rokkor for sharpness if not bokeh, though the bokeh looks great here too. When I combine the lens with a quality coated polarizer on the OMD it makes autumn and spring colors really pop like Kodachrome. Lentilles propres et sans défaut. The MSC (Movie & Still Compatible) mechanism gives you quick, smooth AF that is silent and accurate thanks to its high-precision engineering. The lens can be found in decent condition for under €50,- $50 at ebay.de* and ebay.com* One thing I don’t like too much is that the aperture ring is a bit too close to the focus ring, I happened to change focus accidentally a few time when changing the aperture. This website uses cookies to improve your experience while you navigate through the website. Compact, Easy to carry and use, Good f-stop range. Personally, for the limited use I have for super fast apertures, I’m happy with the Olympus, and enjoy the ‘personality’ its residual aberrations sometimes contribute. : olympus300f4. Promo period: 11/3/2022 - 1/1/2023. The very best, part 1: Olympus M.Zuiko 45mm f/1.2 PRO. With the sun outside the frame some veiling flare can be provoked. Yes, I think there is likely focus shift. The performance of the lens, though, is good enough that one does not need to resort to such time consuming techniques. You get what you see, and I see a lot to love. The Olympus E. Zuiko 135mm f/3.5 is a very small but rather slow tele lens which can be found quite cheap nowadays. References This page was last edited on 17 July 2022, at 13:51 (UTC). I used this lens, but didn't like it. The Leica is also heavier and costs about four times as much as the Olympus 3.5/135. 1 offer from $749.95. Corner resolution is good enough from wide open as well but also here stopping down improves image quality significantly. Ces capuchons sont rares.. ils ne se vendent plus dans les boutiques. The MTF curves are encouragingly close to or above the critical 0.25 cycles-per-pixel level except at the longest end of the zoom range, when the curve is bounded within 0.15-0.20 cycles-per-pixel. Olympus M.Zuiko Digital ED 12-45mm F4.0 PRO Lens Black, for Micro Four Thirds Cameras. Although the Olympus E. Zuiko 135mm f/3.5 is neither the sharpest lens around nor has the nicest bokeh, I really enjoyed using it. Entdecke Objectif OLYMPUS M.Zuiko Digital ED 9-18 mm f/4.0-5.6 in großer Auswahl Vergleichen Angebote und Preise Online kaufen bei eBay Kostenlose Lieferung für viele Artikel! • Les caissons étanches d'Olympus résistent à une pression équivalente à 40 m Étuis et sacoches • En toute sécurité pendant vos . So buy two to make you feel you have spent enough money, and have a spare to use as a backup or to sell to another Zuikoholic. Tout fonctionne bien.Pas 154398573095 A few meters farther away (+/- shoulder portrait distance) bokeh still looks very pleasing, the Olympus and Canon 3.5/135 look very similar here. ‎Olympus M.ZUIKO Digital ED 9-18 mm 1:4.0-5.6 Lens - Blac : Max Focal Length ‎18 Millimetres : Min Focal Length ‎9 Millimetres : Model year ‎2010 : Plug profile ‎Micro Four Thirds : Part number ‎EZ-M918 : Lens Design ‎Zoom : Maximum Aperture Range ‎1:4.0-5.6 : Focus type ‎Auto Focus : Style ‎Single : Réf. Yes there are lots; I didn’t aim to cover them all in the alternatives, just the ones that I or the rest of the team at Phillip’s blog had experience of. Offering a 17mm focal length that's equivalent to 34mm in 35mm terms and a relatively bright maximum aperture of f/2.8, the M.ZUIKO Digital 17mm f/2.8 is well suited to unobtrusive street photography, and is also a good candidate for a general-purpose walk-around lens. At some distances, the bokeh wide open is beautiful and smooth: in the next image the tree is about three metres away, and the church another two or three metres behind it. The lens is almost entirely made from metal and glass, the rubber grip of the focus ring is the only exception. Like the other Pro lenses, the 300mm F4 IS Pro features the company's snap-back manual focus clutch system that reveals . The Olympus makes a serviceable general use lens if you don’t want multiple 50mm lenses, and is a touch better stopped down to f8 than the Mitakon (or at least this was true of my copies). Also Nikkor 50/1.2 AiS, Pentax 50/1.2, Konika Hexar 57/1,2 etc. There is some lateral CA; it mostly cleans up with the usual tools. Of course you might *add* the 1.2 to your stable, but that way lies the madness of my lens cabinets…. Occasion à ne pas louper : tama 16 Gb. Overall, this is a pretty decent lens considering the low cost of the camera body and either one or two lenses. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Livraison gratuite Pen E-PM1 pas cher Garantie contractuelle 12 mois. Necessary cookies are absolutely essential for the website to function properly. Laowa FFii 90mm F2.8 CA-Dreamer Macro 2x: getting close! photographyreview.com and the ConsumerReview Network are business units of Invenda Corporation. I’d also like to see a review of the FD 500mm f/4.5L, seems quite cheap for what it is. It’s one of their late period gems, released in 1982. Le M.Zuiko Digital ED 12-40mm F2.8 PRO vous permet de passer à la mise au point manuelle instantanément mais également d'utiliser Bague de débrayage en mise au point manuelle. Did you pick the Oly or Canon for portraits? It''s a great vacation lens, great for shooting interiors, and a great lens to experiment with. Since no one in the team owns it’s not likely to happen any time soon. Sharp, well made mechanically, light weight and compact, multi-coated. The modern interpretation of a 2.8/135. The Olympus can`t beat up with nowadays high-end lenses, but for people that aren`t pixel peepers this is for sure a great little lens. really compact, colour rendition, contrast and sharpness first rate. There is some slight barrel distortion, nothing to worry about. All M.Zuiko lenses are compatible with the entire range of Olympus PEN and OM-D cameras as well as other MFT cameras. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Article : Olympus M.Zuiko Digital ED 12‑100mm F4 IS PRO . Most images can be found in high resolution in this Flickr album. The Mitakon is also much bigger and heavier, and more expensive as well. Both the Olympus and Minolta are mechanically sound, pleasant to use, whereas many including my CZJ 135 3,5 have stiff focus rings or a stuck aperture. With a 90mm equivalent field of view, it is just a little longer than the standard 85mm but remains perfectly suited to all portrait genres. ISO200 | 1/250s | F7.1 YES - It says "in-camera". Caractéristiques : La mise au point interne fait en sorte que la longueur globale de l'objectif reste constante pendant la mise au point. Compact, sharp, very little distortion, good contrast. The slower, more economical of two 35-70mm lenses Olympus produced in the early 1980s. Surprising things about the OM: It is smaller and lighter than I imagined it would be. Due to the decent image quality and nice build quality the Olympus E. Zuiko 135mm f/3.5 is a great option if you want to dive into the world of vintage lenses.
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